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The Nazca Lines have been well documented, but the Mandala-like Sun-Cross petroglyph is extremely remote and sits atop an arid mountain plateau in Peru. It is a precisely formed star polygon made from two squares surrounding a circle - the large square measures 180 feet across and shares the same diameter and centre as the inner circle. Inside the grid are circles within circles and squares within squares. Several smaller squares, about 20 feet wide, have been etched in the landscape along with an assortment of strategically placed holes. It is similar to Mandala designs found in India and Tibet, and its symmetrical design is found in old sacred buildings such as Angkor Watt in Cambodia and Borobudawa in Indonesia.
Some people think it represents the “squaring of the circle,” and it has been noted that it matches the diagrams that author John Michell revealed in his “New Jerusalem Diagram,” based on measurements given in the Biblical Revelations 21. This area of Peru was ruled over by the Inca people, although there is much speculation as to who designed the Nazca Lines. My understanding is that their origin is an inter-dimensional intelligence, solar in nature.
There are numerous examples of solar pictographs & petroglyphs from ancient China, Egypt, Sumeria, Europe and South America. The world should be paying more heed to the symbolic messages that have been left for us, whether they be in stone or crop circles.
Some people think it represents the “squaring of the circle,” and it has been noted that it matches the diagrams that author John Michell revealed in his “New Jerusalem Diagram,” based on measurements given in the Biblical Revelations 21. This area of Peru was ruled over by the Inca people, although there is much speculation as to who designed the Nazca Lines. My understanding is that their origin is an inter-dimensional intelligence, solar in nature.
There are numerous examples of solar pictographs & petroglyphs from ancient China, Egypt, Sumeria, Europe and South America. The world should be paying more heed to the symbolic messages that have been left for us, whether they be in stone or crop circles.
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