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Soon I will be opening an on-line store on this site to offer Sun Amulets, Mini-Books, Music CDs, Incense and other items. Some amulets and talismans will be made of metal and others will be made of Sunstone.
Some Information about Sunstone Amulets and Talismans
The following information has been extracted from:
http://www.crystalvaults.com/crystal-encyclopedia/sunstone
With the radiance of the Sun and the fire of the Solar ray, Sunstone carries the energy of Ra, the Sun god, whose energy brings all potential life from within the Earth. It is a Stone of Leadership - of personal power, freedom, and expanded consciousness. Truly reflecting the qualities of Light, it brings openness, benevolence and warmth, strength, mental clarity, and the willingness and ability to bestow blessings upon others. Known as a joyful stone, Sunstone inspires the nurturing of self in order to be of service to others. It restores the enjoyment of life, good nature and provides a sense of abundance.
Wear Sunstone to feel alive and enthusiastic. It increases vitality and is also an excellent stone for phobia sufferers to ease fear of the dark, enclosed places, or the presence of other triggers. With its powers of the Sun and Light, Sunstone clears and cleanses all the chakras, restoring joy and nurturing the spirit. Sunstone carries Yang energy, and balances with the Yin of Moonstone. Worn together, these stones integrate ‘god and goddess powers’, assertive and outward success and inner harmony within your life. As an amulet of protection, Sunstone absorbs positive energy flow and works to keep negative energy away from us. In our technological world, it also works to keep harmful electromagnetic transmissions from sapping our energy and health.
The Icelandic Tradition of Sunstone
“Rauðúlfs þáttr" is the medieval Icelandic tale of Saint Olav, relating how Sunstone (Icelandic: sólarsteinn) was used. A round and rotating house visited by Olav has been interpreted as a model of the cosmos and the human soul as well as a prefiguration of the Church. The concept belongs to the genre of ‘abodes of the Sun,’ which was widespread in medieval literature. St. Olav used the Sunstone to confirm the time reckoning skill of his host right after leaving this house. He held the Sunstone up against the snowy and completely overcast sky and noted where light was emitted from it (the Icelandic words used do not make it clear whether the light was reflected by the stone, emitted by it or transmitted through it). A theory exists that the Sunstone had polarizing attributes and was used as a navigation instrument by seafarers in the Viking Age.
(Source: https://en.wikipedia.org/wiki/Sunstone_%28medieval%29 )
Some Information about Sunstone Amulets and Talismans
The following information has been extracted from:
http://www.crystalvaults.com/crystal-encyclopedia/sunstone
With the radiance of the Sun and the fire of the Solar ray, Sunstone carries the energy of Ra, the Sun god, whose energy brings all potential life from within the Earth. It is a Stone of Leadership - of personal power, freedom, and expanded consciousness. Truly reflecting the qualities of Light, it brings openness, benevolence and warmth, strength, mental clarity, and the willingness and ability to bestow blessings upon others. Known as a joyful stone, Sunstone inspires the nurturing of self in order to be of service to others. It restores the enjoyment of life, good nature and provides a sense of abundance.
Wear Sunstone to feel alive and enthusiastic. It increases vitality and is also an excellent stone for phobia sufferers to ease fear of the dark, enclosed places, or the presence of other triggers. With its powers of the Sun and Light, Sunstone clears and cleanses all the chakras, restoring joy and nurturing the spirit. Sunstone carries Yang energy, and balances with the Yin of Moonstone. Worn together, these stones integrate ‘god and goddess powers’, assertive and outward success and inner harmony within your life. As an amulet of protection, Sunstone absorbs positive energy flow and works to keep negative energy away from us. In our technological world, it also works to keep harmful electromagnetic transmissions from sapping our energy and health.
The Icelandic Tradition of Sunstone
“Rauðúlfs þáttr" is the medieval Icelandic tale of Saint Olav, relating how Sunstone (Icelandic: sólarsteinn) was used. A round and rotating house visited by Olav has been interpreted as a model of the cosmos and the human soul as well as a prefiguration of the Church. The concept belongs to the genre of ‘abodes of the Sun,’ which was widespread in medieval literature. St. Olav used the Sunstone to confirm the time reckoning skill of his host right after leaving this house. He held the Sunstone up against the snowy and completely overcast sky and noted where light was emitted from it (the Icelandic words used do not make it clear whether the light was reflected by the stone, emitted by it or transmitted through it). A theory exists that the Sunstone had polarizing attributes and was used as a navigation instrument by seafarers in the Viking Age.
(Source: https://en.wikipedia.org/wiki/Sunstone_%28medieval%29 )
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Our Solar Ancestors and other interplanetary visitors loved Earthly metals and stones.
In a recently aired episode of ‘Ancient Aliens’ (History channel), they explored the connection between Ancient Aliens and metal & stones. They noted how humanity began to integrate the use of these into early rituals as well. They compared the 3000 year-old Golden Hats of Germany with the conical hats of the long-skulled Pharaohs; they discussed the Qumran scrolls being made of copper instead of papyrus; they looked at Tibet’s Cintāmaṇi Stone and Ireland’s Lia Fail (Sone of Destiny) at the Hill of Tara (relates to my article about the Tuatha Dé & Sidhe on this site).
Tutankhamun’s breastplate was made of moldavite (see pic below), and the jewellery found on his mummy is almost identical to the Jewish high priest’s breastplate during the Exodus period.[i] Today many varieties of stone as well as crystals are available in New Age stores for use in healing. Generally speaking, if you want to use stones for consciousness-raising (or Dimension Hacking as I have called it in my latest article, (see http://www.solarancestor.com/dimension-hacking.html ) - then you use whatever stone you are intuitively drawn to. But if you want to establish a connection with our Solar Ancestors, including The Watchers who are right beside us in another dimension, then it’s important to have some gold.
In my blog earlier this year titled ‘The Historical Connection of Gold with the Sun’ over at http://www.solarancestors.com/blog/april-06th-2015 I wrote:
Our Solar Ancestors prized gold for ornamentation – it was their most precious metal, but they never used it as “currency” – they treasured its gleaming lustre and beauty. From 10,000 BC onwards, the Watchers from the Sun taught early humans about gold, firstly looking for the alluvial kind and then later extracting it by mining. Gold is the softest and easiest of the metals to work. It occurs in a virtually pure and pliable state, renowned for its brilliance and permanence. They wanted us to appreciate its beauty and encouraged us to make artworks from it representing the Sun, the source of our life. The Incas referred to gold as the "tears of the Sun." Homer, in the "Iliad" and "Odyssey," mentions gold as the glory of the immortals. Ever since the Watchers left us to stand on our own feet in the 6th century BC, we’ve deemed gold to be currency rather than the source of inspired artworks, and thus severed a critical strand of our Solar heritage.
Footnote:
[i]http://www.bibliotecapleyades.net/egipto/esp_egipto11.htm
In a recently aired episode of ‘Ancient Aliens’ (History channel), they explored the connection between Ancient Aliens and metal & stones. They noted how humanity began to integrate the use of these into early rituals as well. They compared the 3000 year-old Golden Hats of Germany with the conical hats of the long-skulled Pharaohs; they discussed the Qumran scrolls being made of copper instead of papyrus; they looked at Tibet’s Cintāmaṇi Stone and Ireland’s Lia Fail (Sone of Destiny) at the Hill of Tara (relates to my article about the Tuatha Dé & Sidhe on this site).
Tutankhamun’s breastplate was made of moldavite (see pic below), and the jewellery found on his mummy is almost identical to the Jewish high priest’s breastplate during the Exodus period.[i] Today many varieties of stone as well as crystals are available in New Age stores for use in healing. Generally speaking, if you want to use stones for consciousness-raising (or Dimension Hacking as I have called it in my latest article, (see http://www.solarancestor.com/dimension-hacking.html ) - then you use whatever stone you are intuitively drawn to. But if you want to establish a connection with our Solar Ancestors, including The Watchers who are right beside us in another dimension, then it’s important to have some gold.
In my blog earlier this year titled ‘The Historical Connection of Gold with the Sun’ over at http://www.solarancestors.com/blog/april-06th-2015 I wrote:
Our Solar Ancestors prized gold for ornamentation – it was their most precious metal, but they never used it as “currency” – they treasured its gleaming lustre and beauty. From 10,000 BC onwards, the Watchers from the Sun taught early humans about gold, firstly looking for the alluvial kind and then later extracting it by mining. Gold is the softest and easiest of the metals to work. It occurs in a virtually pure and pliable state, renowned for its brilliance and permanence. They wanted us to appreciate its beauty and encouraged us to make artworks from it representing the Sun, the source of our life. The Incas referred to gold as the "tears of the Sun." Homer, in the "Iliad" and "Odyssey," mentions gold as the glory of the immortals. Ever since the Watchers left us to stand on our own feet in the 6th century BC, we’ve deemed gold to be currency rather than the source of inspired artworks, and thus severed a critical strand of our Solar heritage.
Footnote:
[i]http://www.bibliotecapleyades.net/egipto/esp_egipto11.htm
Images (L) Tutankhamun's Breastplate; (C) Tibet's CintaMani Stone; (R) Ireland’s Lia Fail (Sone of Destiny) at the Hill of Tara
Source (L) /www.bibliotecapleyades.net/egipto/esp_egipto11.htm (Centre & Right) Wikipedia.com
Source (L) /www.bibliotecapleyades.net/egipto/esp_egipto11.htm (Centre & Right) Wikipedia.com
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In this week’s post over at our BLOGSITE http://www.solarancestors.com/ we look at testing for the reality of parallel universes and refer to an article by Eugene Lim. In his report. Mr Lim mentions Schrödinger's Cat Paradox, and it is interesting to consider that theory, if you are not already familiar with it. His 1935 feline paradox ‘thought experiment’ has become a pop culture staple, but it was Erwin Schrödinger's work in quantum mechanics that cemented his status within the world of physics.
Schrödinger developed the paradox, according to Eric Martell, (an associate professor of physics and astronomy at Millikin University), to illustrate a point in quantum mechanics about the nature of wave particles. At the very heart of quantum theory—which is used to describe how subatomic particles like electrons and protons behave—is the idea of a wave function. A wave function describes all of the possible states that such particles can have, including properties like energy, momentum, and position. "The wave function is a combination of all of the possible wave functions that exist," says Martell. "A wave function for a particle says there's some probability that it can be in any allowed position. But you can't necessarily say you know that it's in a particular position without observing it. If you put an electron around the nucleus, it can have any of the allowed states or positions, unless we look at it and know where it is."
"In any physical system, without observation, you cannot say what something is doing," says Martell. "You have to say it can be any of these things it can be doing—even if the probability is small."
So, here is the Paradox…
A cat is placed in a steel box along with a Geiger counter, a vial of poison, a hammer, and a radioactive substance. When the radioactive substance decays, the Geiger detects it and triggers the hammer to release the poison, which subsequently kills the cat. The radioactive decay is a random process, and there is no way to predict when it will happen. Physicists say the atom exists in a state known as a superposition—both decayed and not decayed at the same time.
Until the box is opened, an observer doesn't know whether the cat is alive or dead—because the cat's fate is intrinsically tied to whether or not the atom has decayed and the cat would, as Schrödinger put it, be "living and dead ... in equal parts" until it is observed. Immediately upon looking at the cat, an observer would immediately know if the cat was alive or dead and the "superposition" of the cat—the idea that it was in both states—would collapse into either the knowledge that "the cat is alive" or "the cat is dead," but not both.
A key proposition of quantum mechanics is that an observer has a relationship and direct influence on the thing it is observing. At Solar Ancestor we have talked about how the Beings from the Sun have inter-dimensional 'light-bodies' made of photons and neutrinos. Light can behave like either a wave or particle - depending on the observer.
Credit for the image below: pic of Erwin Schrodinger
70284.ngsversion.1422284452191.adapt.676.1
Schrödinger developed the paradox, according to Eric Martell, (an associate professor of physics and astronomy at Millikin University), to illustrate a point in quantum mechanics about the nature of wave particles. At the very heart of quantum theory—which is used to describe how subatomic particles like electrons and protons behave—is the idea of a wave function. A wave function describes all of the possible states that such particles can have, including properties like energy, momentum, and position. "The wave function is a combination of all of the possible wave functions that exist," says Martell. "A wave function for a particle says there's some probability that it can be in any allowed position. But you can't necessarily say you know that it's in a particular position without observing it. If you put an electron around the nucleus, it can have any of the allowed states or positions, unless we look at it and know where it is."
"In any physical system, without observation, you cannot say what something is doing," says Martell. "You have to say it can be any of these things it can be doing—even if the probability is small."
So, here is the Paradox…
A cat is placed in a steel box along with a Geiger counter, a vial of poison, a hammer, and a radioactive substance. When the radioactive substance decays, the Geiger detects it and triggers the hammer to release the poison, which subsequently kills the cat. The radioactive decay is a random process, and there is no way to predict when it will happen. Physicists say the atom exists in a state known as a superposition—both decayed and not decayed at the same time.
Until the box is opened, an observer doesn't know whether the cat is alive or dead—because the cat's fate is intrinsically tied to whether or not the atom has decayed and the cat would, as Schrödinger put it, be "living and dead ... in equal parts" until it is observed. Immediately upon looking at the cat, an observer would immediately know if the cat was alive or dead and the "superposition" of the cat—the idea that it was in both states—would collapse into either the knowledge that "the cat is alive" or "the cat is dead," but not both.
A key proposition of quantum mechanics is that an observer has a relationship and direct influence on the thing it is observing. At Solar Ancestor we have talked about how the Beings from the Sun have inter-dimensional 'light-bodies' made of photons and neutrinos. Light can behave like either a wave or particle - depending on the observer.
Credit for the image below: pic of Erwin Schrodinger
70284.ngsversion.1422284452191.adapt.676.1
Author
Paul V Young is a freelance writer based in Brisbane Australia. His articles appear in magazines such as New Dawn and Atlantis Rising.
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